Though the rigging crew comprised a rotating cast, the characters ran to form. Mostly, the crew was made up of men who had banged around a bit and who had landed, however briefly, at Budd—ex-UAW guys, roofers, plumbers, electricians, a vending machine deliveryman, a repo man, an Iraq war veteran, a Bosnian immigrant, a strip club bouncer, assorted jacks-of-all-trades. The collection called to mind a critic’s description of the crew of the Pequod—men who had “come sulking away, address unknown, from howling creditors, accusing wives, alert policemen, beggary on shore.” They almost all drove trucks; after a time, I’d identify guys by their Dodge Ram, Ford Ranger XLT, Chevy 1500, or Ford Custom F-150. These trucks tended to be dilapidated but basically dependable. Bumper stickers memorialized Dale Earnhardt. Some guys greeted me the same way, day after day. Switching their cigarettes to their left hand, they’d extend their right, then quickly retract it, inspect it for grease and grime, and—after succeeding in wiping away none of it on their work pants or plaid flannel—re-extend the hand with a shrug, to say: your call. Beards, mustaches, and stubble of various stages were near universal. A clean shave would have clashed with the surroundings.
For a short time, the crew had two black workers, one of whom was also the crew’s only female worker, a young black woman whom everyone liked and called Z. Such exceptions aside, an entirely male and predominantly white crew took apart a plant in an almost entirely black city. The relative lack of blacks in the plant had less impact, behaviorally, than did the almost complete absence of female observation and oversight. You didn’t need to shave, shower, brush your teeth, or wash your clothes before work; you didn’t need to worry about your beer breath, your BO, your black eye, your smoking, your burping, your farting, your constant fucking cursing. Pretty much anything your body could do, you could do with impunity in the plant, which made its own sounds and smells, masking yours. The plant felt like a frat house, but of a peculiar, contradictory kind—one for men who had never set foot on a college campus.
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